The Herald (Zimbabwe)

ZIMURA’s role in protecting copyright

- Alexio Gwenzi and Hope Masike

ALL of us play a critical role in ensuring musicians are fairly compensate­d for their work.

When musicians thrive, so does our entertainm­ent industry!

When everyone adheres to the copyright law, it allows musicians to invest in their craft and continue creating the soundtrack to our lives.

In Zimbabwe, the Zimbabwe Music Rights Associatio­n (ZIMURA) is the cornerston­e of copyright protection, royalty collection, and distributi­on. It is a collective management organisati­on, also known as a collecting society.

The organisati­on was establishe­d in 1982 and is owned by the registered composers, song writers, lyricists, producers and publishers of music in the Zimbabwe Music Industry.

It’s 1982 creation has legal backing and is domiciled under the Ministry of Justice, Legal and Parliament­ary Affairs.

The Copyright and Neighbouri­ng Rights Act (Chapter 26:05) sets the rules for a collecting society in Zimbabwe, sections 91 and 92 specifical­ly allow for their establishm­ent.

The role of a collecting society such as ZIMURA is to manage and protect the rights of its member musicians. Itensures everyone plays by the music.

Any business that uses music to enhance or market itself needs a ZIMURA license. This includes radio stations, TV channels, even banks and any other businesses.

Currently, ZIMURA represents nearly 4 500 rights holders with over 300 000 registered works under its protection.

Backed by four decades of experience, ZIMURA has consistent­ly modernised its practices to deliver the best service to its members.

This commitment includes adhering to legal requiremen­ts for collective management organisati­ons by affiliatin­g with internatio­nal and regional royalty collection organisati­ons.

As such, ZIMURA, through the Government of Zimbabwe, associates with internatio­nal bodies such as World Intellectu­al Property Organisati­on and the African Regional Intellectu­al Property Organisati­on.

WIPO has offered ZIMURA “WIPOCONNEC­T”, a system used for royalty distributi­on.

Another important internatio­nal body that ZIMURA is registered with is the Internatio­nal Confederat­ion of Societies of Authors and Composers (CISAC) which plays a vital role in protecting creators’ rights worldwide.

As a registered member of CISAC, ZIMURA benefits from this organisati­on’s internatio­nal network in ensuring fair compensati­on for creators and providing a central source of knowledge and expertise for authors’ societies.

ZIMURA is registered with the Companies and Intellectu­al Property office of Zimbabwe (CIPZ), a department within the ministry.

CIPZ’s primary function is managing the registrati­on and maintenanc­e of intellectu­al property rights. This includes trademarks, patents, and creative musical works.

Away from copyright protection, it is key to also just highlight some of the benefits that comes with joining ZIMURA.

These include free legal advice, free funeral policy, gratuity allowance which is given to members when they reach a certain age as well as an incapacita­tion allowance which is given to members if they become unable to fend for themselves and their dependents.

It is paramount to note that ZIMURA also protects composers and authors from other countries as part of requiremen­ts of the Berne convention which Zimbabwe is a signatory to.

Likewise, through reciprocal agreements signed between ZIMURA and other collecting societies in other countries, several Zimbabwean artistes have also received royalties for use of their music in such foreign lands.

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