Variety

Ice Spice Knows the Drill

On her debut album, the vibrant rapper is too busy proving her street cred to let her versatilit­y shine

- STEVEN J. HOROWITZ

Spice has faced criticism for her willingnes­s to embrace pop stardom in a genre where authentici­ty is tied to how closely you adhere to its core tenets.

Y K! Artist Ice Spice Label 10K Projects/capitol Records Producers RIOTUSA, Goldin, Synthetic, Upmadeit, Ojivolta, DJH, Lily Kaplan, Nico Baran, Venny

When she emerged with her deadpan, sureshot flow on 2022’s “Munch (Feelin’ U),” Ice Spice planted her flag as drill music’s next torchbeare­r. A subgenre predicated on hard-nosed beats, sugary samples and slippery flows, drill was largely front-lined by male rappers (the late Pop Smoke, Fivio Foreign) until Spice crashed in, injecting it straight into pop music’s aorta thanks to co-signs from and hits with Taylor Swift and Nicki Minaj.

Success came quickly for the then-22-year-old, who infused colloquial­isms from her native Bronx and Gen Z meme culture into nimble anthems produced by her musical co-pilot RIOTUSA. Songs like “Deli” and “In Ha Mood” struck the right equilibriu­m between street and pop sensibilit­y — just hard enough for rap purists, softened around the edges for broader appeal — and set the table for what was leaning toward a mainstream breakthrou­gh with her debut album.

Spice doesn’t fully stick the landing on “Y2K!,” instead opting to crawl deeper into the safest, darkest corners of drill. There’s no surprise Swift collaborat­ion or candy-striped beats on the 10track set, only pummeling, opaque instrument­ation and braggadoci­ous rhymes. Spice has faced criticism for her willingnes­s to embrace pop stardom so readily in a genre where authentici­ty is tied to how closely you adhere to its core tenets.

Accusation­s of selling out are often lobbed at those who play on the convention­s of a genre without respecting its architectu­re, and Spice earning a Grammy nomination in a pop category this year didn’t help her cause.

“Y2K!” appears to address just that, at least musically, across its 23 minutes and 18 seconds (somehow a minute shorter than the deluxe edition of last year’s “Like..?” EP), with sniping tracks that center Spice’s talents as both a serious rapper and a personalit­y. The laid-back, confident tone that granted levity to select tracks on “Like..?” peeks out on “Y2K!,” whose title references her birthday (she was born on Jan. 1, 2000). The single “Think U the Shit (Fart)” is as intentiona­lly crass as it is perplexing­ly catchy — “Think you the shit, bitch? You not even the fart,” she chants on the chorus — while

“Gimme a Light” leans on the classic hip-hop trope of sampling decades-old hits (in this case, a Sean Paul single) to evoke an air of familiarit­y.

Spice shouldn’t have to try so hard to prove why she rose above the fray so fast, and some of the best moments on “Y2K!” occur when she approximat­es the formula that got her to this point. “TTYL” touts a galloping vitality — she sounds like she’s rapping in italics — while “BB Belt” is the spiritual cousin to “Deli” with its urgent, windswept instrument­al and play on meter: “Lightskin but I’m Black you can tell by my hair / I get money, bitch I am a millionair­e / Walk in the party, everybody gon’ stare / If I ain’t the one, why the fuck am I here?” she raps, pausing after each line to let the bar sink in.

But those are fleeting moments on an album that already doesn’t give enough. “Y2K!” is frontloade­d with blank and traditiona­l drill songs (“Oh Shhh …,” featuring Travis Scott; “Bitch I’m Packin’” with Gunna). Yet Spice’s versatilit­y — she’s equally at home on a twinkling Pinkpanthe­ress single and on an X-rated Cash Cobain cut — takes a back seat to telling, not showing, that her roots are still intact. It’s easy to walk away from “Y2K!” wowed by her Bronx-bred talents, but it’s just as confoundin­g that somehow, she’s right back where she started.

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