The Post

Actor who played memorable detectives in Homicide and Brooklyn Nine-Nine

- Telegraph Group

Ab July 1, 1962 d December 11, 2023

ndre Braugher, who has died aged 61, gained internatio­nal recognitio­n for playing intense big-city police detectives in the television drama Homicide: Life on the Street and later a comedy, Brooklyn Nine-Nine; he was also an award-winning stage actor who played many of the great Shakespear­ean roles.

Braugher was a cerebral and charismati­c performer, the actor’s actor, held in awe by his colleagues and by those who wrote parts for him. His breakthrou­gh role as Detective Frank Pembleton in Homicide made him first among equals in an outstandin­g ensemble.

One of the show’s creators, David Simon, said on learning of Braugher’s death after a short illness: “I’ve worked with a lot of wonderful actors. I’ll never work with one better.”

Frank Pembleton was the master of the interrogat­ion room, “the Box”, and what Braugher brought to the part was a singlemind­ed focus on eliciting the truth by whatever cunning, psychologi­cal means necessary. This single-mindedness was a quality Braugher possessed in real life.

Andre Keith Braugher was born in Chicago on July 1, 1962, and grew up in the rough Austin neighbourh­ood on the city’s West Side. His father was a heavyequip­ment operator for the state and his mother worked for the US Postal Service.

In that kind of environmen­t, two-wage stability provided a leg-up out of the ghetto. Braugher was educated privately at St Ignatius College Prep, a Jesuit institutio­n, and earned a scholarshi­p to Stanford University to study mathematic­s.

He would later tell The New York Times: “We lived in a ghetto. I could have pretended I was hard or tough and not a square… It’s pretty clear that some people want to get out and some people don’t. I wanted out.”

At Stanford, however, by chance he stepped into the role of Claudius in a student production of Hamlet, and immediatel­y knew that acting was what he wanted to do with his life. His father was against the idea and was not shy about telling his son just what he thought of that decision.

But Andre would not be swayed: eventually he won his father round, graduated Stanford with a BA in theatre then gained a place in the drama division at the Juilliard School in New York City.

Upon graduation he was almost immediatel­y cast in the director Edward Zwick’s Glory, a film based on the true story of the 54th Massachuss­etts Regiment, an African-American unit, in the American Civil War. Braugher played Robert Searles, a bookish, bespectacl­ed

friend of the white commander of the unit, Robert Gould Shaw.

The cast of Glory included the establishe­d African-American stars Denzel Washington and Morgan Freeman, but Braugher still caught the eye of critics and film-makers, even though his part was small and underwritt­en.

He went through a period of turning down work because he thought most of the parts he was being offered were ghetto stereotype­s. Then he was cast as Pembleton in Homicide, which debuted in 1993. The writers based part of the character on Braugher’s own biography. Pembleton is a graduate of a Jesuit secondary school and has some of the same no-nonsense, pull-yourself-up-byyour-bootstraps attitude with which the actor was raised.

From the beginning he brought an edginess and complexity that exploded off the small screen (and at that time television screens were still comparativ­ely small).

The show’s visual rhythm of rapid cutting alternatin­g with long, hand-held documentar­y-style takes magnified his ability to live in the moment of the scene. His eyes in close-ups made long speeches unnecessar­y, according to the showrunner Tom Fontana. In 1998 he won the Emmy for Outstandin­g Lead Actor in a Series.

With his star ascending on network television, Braugher took time during Homicide’s annual production hiatus to return to the stage, appearing frequently in production­s at the New York Shakespear­e Festival in Central Park. He won an Obie, the top off-Broadway acting award, for his performanc­e as Henry V. Among his other Shakespear­ean parts were Iago and Angelo in Measure for Measure.

For all the kudos, his film career never quite took off. Perhaps he was a bit too cerebral or not quite handsome enough in the Denzel Washington mold. Or it could be his single-mindedness again.

He lived with his family in the New Jersey suburbs of New York City, not in Los Angeles. Film stardom rarely finds those who live most of the year in New Jersey.

But Braugher was never out of television work. He appeared in House as Hugh Laurie’s psychiatri­st, Dr Darryl Nolan. The show, about a genius medical diagnostic­ian who is also addicted to an opioid painkiller, was Laurie’s star-making vehicle in the US, and in their scenes together Braugher’s profession­alism shone through.

He did not try to steal the focus from his British counterpar­t, yet held his own. The pair’s scenes together are a masterclas­s in the give and take, reacting and listening, that define good acting.

Starting in 2013, Braugher reached a new audience with the hit comedy Brooklyn Nine-Nine.

His character, Captain Raymond Holt, runs the precinct’s detective squad and is in many ways an echo of Frank Pembleton, except that he is gay, and also extremely funny. Braugher saw the part as completing a circle in his life that had begun with Homicide.

What the next circle might have been is hard to say. He was always focused singlemind­edly on his family. In 2020, he told Variety: “It’s been an interestin­g career, but I think it could have been larger.

“I think it could have spanned more discipline­s: directing, producing, all these other different things. But it would have been at the expense of my own life.”

Andre Braugher married, in 1991, the actress Ami Brabson, who survives him with their three sons. –

 ?? GETTY IMAGES ?? Actor Andre Braugher was 61 when he died.
GETTY IMAGES Actor Andre Braugher was 61 when he died.

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