Malta Independent

Exploring Malta’s changing landscape

Exhibition­s, mostly of art, are everywhere. In a celebratio­n of creativity and expression here are four diverse ones offering a feast for the senses. Each exhibition promises a unique journey through the eyes of those who are behind it.

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The forthcomin­g exhibition by Silvio John Camilleri entitled Tempora Mutantur features a series of landscapes painted by the artist over the past two years. Despite that this collection is somewhat different from the last one, presented in 2022 in the exhibition Sights & Sites, there are still noteworthy parallelis­ms. Most of the exhibits feature locations where we seem to feel dwarfed by their sheer vastness… such as the recently completed flyover junctions in Marsa. The approach in Silvio John’s interpreta­tions of Aldo Moro Road in Marsa has become even bolder, and he takes a dose of artistic liberty when distorting the buildings or reducing them to basic cubical shapes. The emphasis is mostly on the colour scheme, rather than the faithful reproducti­on of detail.

Other locations to be featured in the exhibition include the power station in Marsaxlokk, and the concrete pedestrian bridge in Marsa. Indeed, these works illustrate how our local landscape has changed over the recent past... hence the exhibition title Tempora Mutantur.

In the artist’s words…

“According to Plato, art imitates life. Although this concept seems to demote the artist to an ‘imitator’, one cannot deny that a look at contempora­ry changes in society is essential if an artistic work is to prove relevant, rather than a plain nostalgic exercise.

In the past few decades, we witnessed an unpreceden­ted transforma­tion of the urban environmen­t due to socio-political factors and technical knowhow which led to the constructi­on of high-rise buildings and other mega-projects. In this collection of works I sought to interpret some of these aspects and while I am not seeking to convey any obvious message, some people felt that these works hint at an element of ‘ controlled rebellion’. At times, the actual motivation behind an artwork is only perceived by the artist at a sub-conscious level, and therefore I shall neither confirm nor deny the former assertion.

At a visual level, these works tend to de-emphasise what we know as ‘local colour’ in artistic terminolog­y, and therefore skies may take a greenish hue, and buildings are at times rendered in crimsons. Quite a lot of these works attest to my tendency of using desaturate­d colours – in some cases resulting in a rather mellow palette. I believe that this collection marks a shift towards more stylised compositio­ns… some works play with the idea of a ‘painting within a painting’, or the impression that we are observing the environs through a window. A more discernibl­e tendency towards abstractio­n is evident in the renditions of the interior of the pedestrian bridge which towers across Aldo Moro Road in Marsa. I trust that viewers will find these works engaging, inviting them to ponder about all those elements which characteri­se our daily life”.

The opening hours are Monday – Friday: 10am – 3.30pm ; Saturday : 10 am – 1pm. Additional opening hours or changes to the opening hours will be advised on the artist’s Facebook and Instagram profiles.

 ?? ?? Triq Aldo Moro (Marsa) No. 20 – Acrylics on canvas – 70x70cm – 2022
Triq Aldo Moro (Marsa) No. 20 – Acrylics on canvas – 70x70cm – 2022
 ?? ?? Pedestrian Bridge (Aldo Moro Road) No. 6 – Acrylics on canvas – 100x70cm – 2022
Pedestrian Bridge (Aldo Moro Road) No. 6 – Acrylics on canvas – 100x70cm – 2022
 ?? ?? Chimneys (Marsaxlokk) No. 3 – Acrylics on canvas – 50x50cm – 2023
Chimneys (Marsaxlokk) No. 3 – Acrylics on canvas – 50x50cm – 2023
 ?? ?? Flyovers (Marsa) No. 24 – Acrylics on canvas – 50x50cm – 2023
Flyovers (Marsa) No. 24 – Acrylics on canvas – 50x50cm – 2023
 ?? ?? Flyovers (Marsa) No. 3 – Acrylics on canvas – 60.5x60.5cm – 2022
Flyovers (Marsa) No. 3 – Acrylics on canvas – 60.5x60.5cm – 2022

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