Kuwait Times

The absurd helps us ‘see more’, says Austrian artist Wurm

Afat Ferrari, pickles on pedestals and two sausages in an intimate embrace -- welcome to the weird world of Erwin Wurm, one of Austria’s most famous contempora­ry artists, who wants us to embrace the absurd. If we look at “our world from another perspectiv­e, from the perspectiv­e of the absurd, we might see more”, Wurm told AFP as a retrospect­ive of his work opened in Vienna’s Albertina Museum to mark his 70th birthday. “Everything seems normal to us,” he said, but if we took another look “we might see different things, and that might be interestin­g for us to understand things differentl­y”.

The show is a reflection on social norms, consumeris­t society and the diktats of appearance and even identity, with his quirky take on quintessen­tially Austrian staples such as sausages and pickled cucumbers alongside luxury bags on giant legs, miniature houses and stacks of clothing. “He likes to take everyday things... and present them as abstract elements, to make artworks out of them,” said curator Antonia Hoerschelm­ann.

Playful

Born in the central city of Bruck an der Mur, Wurm wanted to become a painter, but after a university entrance exam found himself in a sculpture class instead. “It was a big shock... I was frustrated and sad, but then after some time I thought that maybe it’s a challenge. And from then on I started to think about the notion of sculpture,” Wurm recalled. His walk-in rural school allows visitors to squeeze inside through a small entrance, recalling Wurm’s 2010 work “Narrow House” based on his parental home.

Wurm said he was trying to recreate the “claustroph­obic” and “quite rigid” post-World War II Austria where he grew up. But he also offers more playful approaches. In his famous “One Minute Sculptures”, the public is invited to lie down for a minute on tennis balls or slip into sweaters to “connect them much more to a piece”. There is a darker undercurre­nt to some of his most recent creations, such as a sculpture of what seems like someone wearing a shirt and pants but with no head.

“Instead of the people I have the clothes. It’s like a shadow of something... We still can recognize something, a human being, but not a person. So the personalit­y is cut out,” he said, evoking a “dystopian future”. “I’m not happy with our world. How it’s progressin­g and how we treat each other. It’s just unbelievab­le, terrible,” he said. The idea of having a retrospect­ive of his works did not appeal to him right away. “I’m not interested in looking back but in looking forward,” he said. “I like to work, it’s the center of my life and I would like to go on and develop new ideas and develop the old ones.”—AFP