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China’s censors are letting Ye perform there; fans amazed

- VIVIAN WANG Vivian Wang is a journalist The New York Times

When the news broke that Ye, the rapper formerly known as Kanye West, would be performing in China on Sunday, the elation of many of his fans was mixed with another emotion: confusion. Why would the notoriousl­y prickly Chinese government let in the notoriousl­y provocativ­e Ye? Why was the listening party, as Ye calls his shows, taking place not in Beijing or Shanghai, but in Hainan, an obscure island province?

Under a trending hashtag on the social media site Weibo on the subject, one popular comment read simply, “How?” alongside an exploding-head emoji. The answer may lie in China’s struggling economy. Since China reopened its borders after three years of coronaviru­s lockdowns, the government has been trying to stimulate consumer spending and promote tourism.

“Vigorously introducin­g new types of performanc­es desired by young people, and concerts from internatio­nal singers with super internet traffic, is the outline for future high-quality developmen­t,” the government of Haikou, the city hosting the listening party, posted on its website. But it is unclear whether the appearance by

Ye — who would be perhaps the highest-profile Western artist to perform in mainland China since the pandemic — is part of a broader loosening or an exception.

Even before the pandemic, the number of big-name foreign entertaine­rs visiting China had been falling as authoritie­s tightened controls on speech. Acts such as Bon Jovi and Maroon 5 had shows abruptly cancelled, leading to speculatio­n that band members’ expression­s of support for causes like Tibetan independen­ce were to blame.

Justin Bieber was barred from China in 2017 over what the Beijing city government, without specifying, called “bad behaviour.”

Ye might have seemed like a no-go, too. Chinese authoritie­s declared war on hiphop in 2018, with the state news media saying that artists who insulted women and promoted drug use “don’t deserve a stage.” But in Ye’s case, objections to hip-hop may have been outweighed by the potential payoff — especially for Hainan.

For years, the Chinese government has sought to turn Hainan, an island roughly the size of Maryland or Belgium, into an internatio­nal commercial hub. It offers visa-free entry and duty-free shopping, and has pledged to attract more world-class cultural events. Sheng Zou, a media scholar at Hong Kong Baptist University, said enforcemen­t of censorship was capricious. “When it comes to Ye, I guess his celebrity status may outweigh his identity as a hip-hop artist.” For Ricardo Shi, 25, an employee of a tech company in Shenzhen, the chance to see Ye was worth spending $700 on plane tickets for a two-day trip to Haikou. “It’s been so long since he last came to China,” he said. (Ye performed in Beijing and Shanghai in 2008.) “It’s a rare opportunit­y to be there in person.”

Ye, who is touring to promote “Vultures,” his new album series with singer Ty Dolla Sign, has praised China. He told Forbes in 2020 that the country “changed my life.” He lived in the city of Nanjing as a fifth grader, when his mother was teaching English there. And issues that have led Western brands to cut off collaborat­ions with Ye and alienated many American fans, like his antisemiti­c and homophobic comments, are of less concern to Chinese officials.

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