The Borrowed Hills

"Viscerally vivid . . . a sucker-punch of a novel, edged with knife-sharp black humour and shot through with moments of startling beauty . . . half Tarantino and half pitch-black northern realism." —Guardian (UK)

"Preston's sinewy, supple prose showcases a cast of desperate sheep farmers as they grapple with the elements and their own clandestine urges . . . a modern-day Moses and Aaron tending their flock. Tragedy feels as inevitable as biblical prophecy. . . . Preston's gifts are abundant. He taps the cadences of northwest England, lopping off the subjects of his sentences, molding idiosyncratic nouns ('nowt' and 'owt') like putty . . . The Borrowed Hills strides confidently across its pages, like the seasoned work of a veteran. Preston is already firing on all cylinders, a writer to watch." —Hamilton Cain, Minneapolis Star-Tribune

“Unfolds with a pleasurable, slow-burn assurance . . . The Borrowed Hills is at its most resonant and powerful when the human drama . . . takes its proper place in the pitiless and timeless landscape on which all of nature’s tenants—man and animal alike—live and die.” —New York Times Book Review

"A tremendously exciting novel . . . A brilliantly realized voice: Steve's every utterance is the product of where he comes from . . . as blunt and brutal as the fells he works among." —Times Literary Supplement (UK)

"A spiky debut . . . precisely focused with flavour, intensity, and oodles of character." —The Times (UK)

"Preston’s debut arrives like a punch to the gut . . . a Wild West–type tale of rustling and villainy, blood and belonging, transposed to the bleakly beautiful fells and sheep flocks of northern England. . . . This is an elemental tale shaded in tones of heroism, machismo, moral intensity, and mythmaking. It’s also a love song to the landscape . . . Gritty, gripping, and fearlessly committed." —Kirkus (starred review)

“[A] blistering debut . . . Preston’s brilliant tonal range extends from epic heroism, as the men scramble after sheep on shale knee-deep in muck, to uncompromising realism. . . . This dark and inspired tale pulses with life.” —Publishers Weekly (starred review)

"Preston’s debut is everything it sets out to be: picturesque but brutal and uncompromising . . . this steely tale will have a lasting effect on the reader." —Booklist

"The Borrowed Hills shows us the Lake District from the inside, from the viewpoint of those who struggle to make a living from the land and who, when the bad times come, are driven to extremity and violence in order to survive. It’s a startlingly original addition to the literature of northern England." —Ian McGuire, author of The North Water

"Scott Preston lifts the veil from the picture-postcard beauty of Britain's Cumbrian fells to expose an atmosphere of festering despair in the lives of two farmers who lose everything when their sheep are destroyed by the government in order to contain an outbreak of Foot and Mouth disease. When they take desperate measures to rebuild their shattered world, what happens feels tragically inevitable. The Borrowed Hills is a story of anger and violence, devotion, love, and back-breaking hard work, told with dark, dead-pan humour and a rough kind of poetry." —Carys Davies, author of West and Clear

"A remarkable debut. Taut, intelligent and beautifully told." —M. J. Hyland, Booker Prize–shortlisted author of Carry Me Down

"You could read this remarkable novel just for its dazzling prose, but there’s more: razor sharp dialogue, meshed gear plotting, and above all a powerful evocation of a landscape and a way of life unknown to most of us, until now." —Joseph Kanon, author of Leaving Berlin

"Utterly absorbing and original, Scott Preston writes with a poet’s heart and a cinematic eye. A painfully truthful account of the foot and mouth outbreak and the effects it had on the farming community, The Borrowed Hills shows the other, darker side to the Cumbrian Fells and to rural life up and down the country." —Rebecca Smith, author of Rural: The Lives of the Working-Class Countryside