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'THE MOST IMPORTANT LIVING RUSSIAN WRITER' New Yorker

A groundbreaking and gripping literary detective novel set in Soviet-era Russia, from the award-winning author of Laurus and The Aviator

Can we ever really understand the present without first understanding the past?

From the winner of the 2019 Aleksandr Solzhenitsyn Prize, and the author of the multi-award winning Laurus, comes a sweeping novel that takes readers on a fascinating journey through one of the most momentous periods in Russian history.

What really happened to General Larionov of the Imperial Russian Army, who somehow avoided execution by the Bolsheviks? He lived out his long life in Yalta leaving behind a vast heritage of undiscovered memoirs. In modern day Russia, a young student is determined to find out the truth.

Solovyov and Larionov is a ground-breaking and gripping literary detective novel from one of Russia's greatest contemporary writers.

About the author(s)

Eugene Vodolazkin was born in Kiev and has worked in the department of Old Russian Literature at Pushkin House since 1990. He is an expert in medieval Russian history and folklore. Solovyov and Larionov is his debut novel. Laurus (Oneworld, 2015), his second novel but the first to be translated into English, won the National Big Book Award and the Leo Tolstoy Yasnaya Polyana Award and has been translated into eighteen languages. His third novel, The Aviator (Oneworld, 2018), was shortlisted for the Russian Booker Prize and the National Big Book Award. He lives in St Petersburg.

Lisa C. Hayden’s translations from the Russian include Eugene Vodolazkin’s Laurus, which won a Read Russia Award in 2016. Laurus and Lisa’s translation of Vadim Levental’s Masha Regina were both shortlisted for the Oxford-Weidenfeld Prize. Her blog, Lizok’s Bookshelf, examines contemporary Russian fiction. She lives in Maine, USA.

Reviews

‘[A] wry and whimsically humorous historical detective story.’

‘Absorbing, darkly witty, history-soaked pages for literary and historical fiction fans.’

‘Vodolazkin has produced a romanticized hero's quest that affirms the "indivisibility and harmony" of history and personal fate. In the face of overwhelming death tolls, he insists on making space for mythology.’

‘Simply cannot be ignored... A smart and often humorous account of contemporary Russian life that reminded me several times of his fellow citizen Svetlana Alexievich’s nonfiction.’

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