A Gushing Fountain

"Enthralling and enraging, an important book to read." —Cathleen Schine, New York Review of Books

“Available in English for the first time, this intense novel by distinguished German writer Walser, an intimate tale of a life disrupted by war and corrupted by a maniacal regime, sheds new light on the impact of WWII on Germany’s youngest and most vulnerable citizens."—Booklist

His oeuvre is a monolith towering over Germany's literary landscape. . . . He remains the creator of a singular range of works whose luster will not dull over time."—Pia Reinacher, Weltwoche

“Perpetually underrated . . . Imagine Upton Sinclair who writes like Marilynne Robinson.” —Bruce Allen, Washington Times

“None of the major writers of Walser’s generation, from Grass to Johnson, captures as much of the German republic in their prose as [he] does. . . . This author is like a sponge—he soaks up time and gives it back to his readers.” —Stuttgarter Zeitung

"Martin Walser is in a class with Günther Grass and Max Frisch." —The New York Times

"One of Walser's most beautiful and perhaps his most important novels."—Jörg Magenau. Martin Walser: Eine Biographie

"An objective masterpiece . . . one of the great books of memory of our literature and our century. . . . Walser's prose is radiantly exuberant."—Joachim Kaiser, Süddeutsche Zeitung

"With this fascinating variation on the 'portrait of the artist as a young man,' Walser has given us a superb masterpiece that joins the ranks of great German emancipatory prose."—Ulf Heise, Märkische Allgemeine

"A Gushing Fountain is a panorama of German provincial life in the Third Reich more precise and believable, more fair and sensitive than anything I have read."—Marin Ebel, Rheinischer Merkur

"A Gushing Fountain is a masterpiece of the German language, already strangely distant and a little old-fashioned, as masterpieces probably have to be."—Friedemann Berger, Dresdner Neueste Nachrichten

"Walser's dream construction knows no moral, provides no insight from the standpoint of today. From the depths of time he pulls up the old faces and stories, conscience-free, like real dreams . . . they stand next to one another, stern, unmediated, without commentary. No one is indicted, no one acquitted."—Reinhard Baumgart, Die Zeit

"Enthralling and enraging, an important book to read." —Cathleen Schine, New York Review of Books

“Available in English for the first time, this intense novel by distinguished German writer Walser, an intimate tale of a life disrupted by war and corrupted by a maniacal regime, sheds new light on the impact of WWII on Germany’s youngest and most vulnerable citizens."—Booklist

His oeuvre is a monolith towering over Germany's literary landscape. . . . He remains the creator of a singular range of works whose luster will not dull over time."—Pia Reinacher, Weltwoche

“Perpetually underrated . . . Imagine Upton Sinclair who writes like Marilynne Robinson.” —Bruce Allen, Washington Times

“None of the major writers of Walser’s generation, from Grass to Johnson, captures as much of the German republic in their prose as [he] does. . . . This author is like a sponge—he soaks up time and gives it back to his readers.” —Stuttgarter Zeitung

"Martin Walser is in a class with Günther Grass and Max Frisch." —The New York Times

"One of Walser's most beautiful and perhaps his most important novels."—Jörg Magenau. Martin Walser: Eine Biographie

"An objective masterpiece . . . one of the great books of memory of our literature and our century. . . . Walser's prose is radiantly exuberant."—Joachim Kaiser, Süddeutsche Zeitung

"With this fascinating variation on the 'portrait of the artist as a young man,' Walser has given us a superb masterpiece that joins the ranks of great German emancipatory prose."—Ulf Heise, Märkische Allgemeine

"A Gushing Fountain is a panorama of German provincial life in the Third Reich more precise and believable, more fair and sensitive than anything I have read."—Marin Ebel, Rheinischer Merkur

"A Gushing Fountain is a masterpiece of the German language, already strangely distant and a little old-fashioned, as masterpieces probably have to be."—Friedemann Berger, Dresdner Neueste Nachrichten

"Walser's dream construction knows no moral, provides no insight from the standpoint of today. From the depths of time he pulls up the old faces and stories, conscience-free, like real dreams . . . they stand next to one another, stern, unmediated, without commentary. No one is indicted, no one acquitted."—Reinhard Baumgart, Die Zeit